Turning the mids setting up will allow the tone to sound fuller and provide more depth, whilst turning it down is often called “scooping the mids” and may be compensated by having high bass and treble settings instead, which is often used for heavy metal. The middle or “mids” setting on a Fender amp allows you control mid-range frequencies. Having the treble on a lower setting will make the tone sound more mellow. Turning the treble up will cause the sound to be crisp, sharp and bright, allowing the separate notes being played to be heard more distinctly. The treble control on a Fender amp allows you to adjust the high-range frequencies. Low-mid gain settings suit blues, rock and indie well, whilst high gain settings are suitable for heavier genres such as metal. Turning the gain up will cause the tone to become more distorted. The gain control can be found on many Fender amps on the second channel settings. The distorted channel will usually have a “gain” setting, allowing you to control how distorted the tone will be. One is for purely clean tones, and the other is for distorted tone. Many Fender amps have two channels available. Its infamously fantastic and I think its a pedal all other ODs should be compared to for how versatile they are.Let’s start by going through some of the main controls you’ll find on Fender amps including Hot Rod, Mustang, Champion, Rumble, Tone Master, Vintage Modified and Vintage Reissue models.
Boss blues driver settings how to#
I have always adored this pedal, I would think with other effects that its due to the history I had with it while learning how to play and trying to find my own sound all those years ago but i think the BD 2 speaks for itself. I use it a lot and dialled back a bit when writing for passages that i want a lighter drive running as i feel it sounds better dialled back than the likes of the Hotwax (I think the HW is better dimed for that amp like crunch) I use this as my primary drive when im doing covers, the BH is for the heavier stuff. I love stacking it with the Bad Monkey as it makes it sustain for days. I have that with my Battlehammer (look in my gear for that) but i had to have a BD2 because i could never escape its allure. I've gone through roughly 20 or so drive pedals (if not more) in that time, constantly trying to find something I love that I could say is MY tone. I only have one myself but it took me 15 years to finally get around to getting one. My brothers friend who was a fantastic musician used 2 of them, one as his main drive, the other to boost it into saturated heaven. The BOSS BD-2 has been on my list of effects that I've wanted since i was a teenager.
![boss blues driver settings boss blues driver settings](https://64.media.tumblr.com/df113108230c1964b3cced3222943035/786f674f9507ba20-2f/s1280x1920/af78739861d64176fceb59bd6e3dcc1c901b2dd2.png)
So if you are looking for a pedal that has a really transparent drive then here it is!
![boss blues driver settings boss blues driver settings](https://manuals.plus/wp-content/uploads/2021/07/BOSS-Blues-Driver-Guitar.jpg)
There are also immense level reserves in case you want to use it as a clean boost.
![boss blues driver settings boss blues driver settings](https://medias.audiofanzine.com/images/normal/boss-bd-2-blues-driver-modded-by-keeley-3481188.jpg)
But this does not mean that the BD2 has not enough gain, in fact in can be quite fuzz-like when you crank the drive knob. The Blues Driver reacts very good to other pedals in front of it, often I use it together with an Ibanez TS9 to get a bit more gain. By now I only use the tone control to add treble if I am playing in a really dark sounding room. There appears to be no bass cut, mid hump or treble boost with the tone control turned down. It does seem to cover a lot more of frequencies than most other drives I know. Since then this pedal is probably my favorite Overdrive, as it does not feel like a pedal or even an artificial drive on top of my amp´s original tone. After a while of playing around with it I turned the tone knob completely down and suddenly it sounded 90% like my amp (Fender ♅7 Twin Amp RI) but with a nice rounded dynamic overdrive on top of it. For me this Overdrive pedal has become one of the classic pedals that everyone knows and I think everybody knows at least one person who has one of these in their posession.Īt first I was not really happy with it, I felt it was very bright and brittle but I liked the fact that it is a really dynamic pedal.